Resurgent qipao bridges time, heritage in New York

By MINGMEI LI in New York | China Daily | Updated: 2023-11-14 10:08
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Vintage Hong Kong-style qipao from the 1950s and 1960s are displayed on a rack. LI MINGMEI/CHINA DAILY

Iconic Chinese dress offers wearers chance to tap into proud traditions of past

Editor's note: As the traditional Chinese dress qipao, or cheongsam, has found a new lease of life in bustling Manhattan, China Daily reviews the captivating world of vintage qipao where the past and present coexist. This story is more than an exploration of the allure of the dress. It is an evocative chronicle of vintage clothing as an enduring testament to cultural heritage, an intimate bond between generations, and a journey of self-expression.

Once stored in faded blue paper boxes for almost 60 years and tucked away on a tall cabinet, the vibrant, ready-to-wear garments are now elegantly displayed on a meticulously organized shelf.

A remarkable collection of dresses known as qipao from Hong Kong, many from the 1950s or 1960s, have spanned time and space and been given new vitality in the United States metropolis of New York City.

Each piece has undergone meticulous retouching, careful folding, and thoughtful sorting. The silky dresses now reside at a vintage qipao studio in Manhattan's West Village.

Guo Haichen, 22, who uses the name Heather, opened Xiangjiang Vintage earlier this year.

She sees herself as not only a seller, but the proprietor of a transfer station, weaving the past and the present, filling the gaps, and pairing beautiful traditional clothes to their new owners.

"We will not make any modifications or alterations to our qipao," said Guo. "The qipao represents women's wisdom and accumulation of time; they are truly perfect."

Guo's studio is a captivating artwork itself, adorned with her vintage collections, including antique carpets, old Hong Kong cigarette posters, rattan lounge chairs, and an old desk lamp. However, the true showstoppers are the Hong Kong-style qipao.

Guo went back to Hangzhou, Zhejiang province, in the summer to look for fabrics for qipao. Typical qipao fabrics include silk, brocade, gambiered canton gauze, velvet, and cotton.

The average price of vintage qipao in her store is $300, which mainly depends on the qipao's fabrics. For vintage qipao, the prices vary according to the amount she originally paid for the dresses.

Guo is preparing to start manufacturing qipao using old techniques, so she can also offer her customers brand-new dresses and custom-made dresses.

"I wore qipao out as an everyday dress," Guo said. "I wanted to exhibit our Chinese traditional dresses that have lasted for a long time."

The qipao is an example of timeless Chinese traditional clothing, with origins rooted in the attire of the Manchu ethnic group, who once ruled during the Qing Dynasty (1644-1911).

During the 1920s and 1930s, the qipao became widely popular among high-society women in Shanghai, which was then, as now, a cosmopolitan city and fashion hub.

The word qipao has come to epitomize elegance, modernity, and the art of accentuating women's curves with its body-hugging silhouette, high collar, and side slits.

Over the years and across different regions in China, the design of qipao continued to evolve.

In the 1950s and 1960s, as Hong Kong developed into a bustling international metropolis and embraced globalization, the qipao extended far beyond China's borders. It captured the hearts of overseas Chinese communities and fashion enthusiasts worldwide, becoming an iconic representation of traditional Chinese clothing.

Famous figures from the past and modern-day individuals such as Olympic skiing gold medalist Eileen Gu have all been seen wearing qipao dresses, which many people around the world see as a representation of the beauty and values of Eastern women.

Guo's friend noticed a small, inconspicuous grocery store in Chinatown one day, and Guo rushed there soon after. As an undergraduate student at New York University majoring in art history and classics, she had expressed a particular interest in antiques, especially Qing Dynasty embroidery and vintage clothes, and believed old items came with a sense of historical and storytelling mystery.

"There were a dozen qipao in the store, but seeing that no one was buying them, I thought it would be better to buy them all," she said. "They are not all my size, so I want to sell these items and help these dresses find their most suitable owners."

Guo found it wonderful to observe how the qipao transitioned from China to overseas with the same cut, pattern, sewing, and other details all intact.

"Qipao is both modern and classical — it is the result of development from ancient traditional clothing," Guo said.

She has helped connect more than 500 dresses with new owners since her studio opened, and has attracted hundreds of people to visit the store and try on the clothes.

Guo is actively looking for vintage qipao from dealers, immigrant seniors, and collectors. Every single qipao in her store is unique, from the cut, color, and size to the details on the collar, cuffs, and buttons, because vintage qipao were produced based on their original owners' personal choices.

"It's not only about choosing your qipao, the qipao is also choosing its owner," Guo said.

He Xiongrong found her first qipao in the studio, and it was the beginning of her interest in the garments. She had been an international student, and had worked in New York for years and felt excited when she found a nice-fitting and elegant qipao in the city.

When she first saw the cyan qipao on the hanger, she was hesitant, unsure of herself because she had never tried on such a bright color before having worn dark colors each day for work.

She said she asked herself: "Will that work? Will that fit? Will that look good on me?" But after trying it on, she knew it was the one.

"It was surprising." she said. "I had never worn a qipao before. I knew they are pretty, but I didn't know what they would look like when I wore one. I was surprised it fit. It suits me very, very well."

She said she felt it was "fate" finding the dress because the vintage qipao was custom-made, meaning the previous owner must have had a similar body shape and fashion sense.

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