Art in crisis: Thefts spark doubts over British Museum

By JULIAN SHEA in London | China Daily Global | Updated: 2023-09-05 09:29
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A group of 20 glazed ceramic tiles originally from China's Shanxi province is on display at the British Museum. The artifact was made during the Ming Dynasty (1368-1644). CHINA DAILY

Wider shock waves

Although official voices have not been heard from China on the issue, the Global Times made it clear where the authorities stand over the matter.

"The Global Times statement showed a desire to go down the ethical route and hold countries accountable for the harms they have done through history," she explained.

The wider shock waves caused by the museum's very public crash and burn are likely to embolden efforts from communities of origin around the world to reclaim their heritage, a path of action cleared by the most unlikely of helpers — COVID-19.

"The pandemic meant museums had to put their collections online, to maintain visitor interest, and that made it easier to discover where things are," she explained.

"Now people in even the remotest areas can get hold of a smartphone and follow the story and track things down, so you're getting countries and communities that haven't necessarily spoken up before saying that they want their heritage back. Politically, it's extremely interesting."

As the museum looks to rebuild its credibility, Carl Heron, its director of scientific research, has been appointed as acting deputy director. But the museum's journey back to its former status will be a long one, with difficult decisions to be made along the way.

What was initially described as a "highly unusual incident" has brought voices and spirits from the past into the spotlight of the present, and the final irony is that these items, long buried in dark archives, could end up shaping the future of the museum world.

"For years, momentum has been dictated by European and North American forces, but it's high time someone else took over at the wheel as what they have been doing has been shown to have failed," Smith said.

"The world is ready for the British Museum to be reinvented, so it needs to take stock of what it has, and come up with an authentic and equitable safeguarding plan that is practical, as opposed to the outdated approach of the gentleman curator. If it changes those values, then there's hope it can reinvent and rebuild itself."

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