Largest Pan Tianshou exhibition opens in Hangzhou

Misty Rain and Croak of Frogs, 1948. [Photo provided to chinadaily.com.cn]

Overwhelmingly Imposing

After the Song Dynasty (960-1279), traditional Chinese painting gradually lost its robust and fresh features. Pan’s strokes however, absorbed the vigor of the ink painting of the Southern Song Dynasty (1127-1279) and the robustness of the Zhe School while discarding their bluntness, thinness and rigidity. Pan developed a unique style that aimed at vigor and robustness. No theorist or painter has ever come up with such artistic ideas, and therefore Pan is distinct from not only ancient, but also modern artists.

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