A scene from Shakespeare's Globe 2012 production The Taming of The Shrew. [Photo/China Daily] |
Matthew Gregory is bringing The Globe's Shakespearean spectacle to Hong Kong, alongside a slew of first-class English-language theater productions. Rebecca Lo checks in backstage.
Meeting with Matthew Gregory in his workspace is a little like being called to the principal's office. The tall Yorkshire native sits behind a large antique oak table, and his wooden guest chairs are the type more commonly found in 19th century school houses - or from the set of Little House on the Prairie. Yet his infectious energy and enthusiasm is a far cry from the stern disciplinarian demeanor of a typical headmaster.
Gregory is credited with bringing some of the most innovative English-language dramas to Hong Kong audiences. The English and drama major first arrived in Hong Kong 17 years ago, intending to stay for a year.
In 1999, he set up Faust, a company targeted at children through a series of after-school drama workshops and youth theater productions. Faust has expanded to Singapore, and the Faust Festival, slated for later this month, is a demonstration of his student's talents.
"We now have 1,000 kids taking part in Faust," says Gregory.
Faust's second annual showcase of theater for children, Kidsfest, has already become a massive hit and is a highlight in many parents' calendars in January and February.
Not a man to rest on his laurels, Gregory set up ABA Productions - an acronym for Awfully Big Adventures - in 2006 to concentrate on entertaining adults. He is proudest to be bringing The Globe's theatrical works to Hong Kong after five years of wooing the prestigious London-based company.
"The Globe has a reputation for promoting Shakespeare's legacy," he says. "It's a fun, authentic interpretation that brings the language to life and makes it relevant today. The cast is very successful at engaging the audience.
"This will not be a one-off show. We will stage different shows every year, starting with The Taming of the Shrew."