Singer wows audiences with marathon run of concerts

For the sixth time in a career spanning more than two decades, pop singer Jason Zhang has attempted something few pop acts anywhere would dare: a marathon run of concerts at Beijing National Stadium, better known as the Bird's Nest.

From March 27 to April 19, Zhang delivered 16 shows in just 24 days. The run served as the final domestic stop of his Future·Live — Leave For 1982 World Tour, the most ambitious of his career, which began in 2024.

The production unfolded like a science-fiction spectacle. A 105-meter-long mechanical train carrying Zhang glided slowly into the stadium, where 446 speakers created a 360-degree sound field. When each concert started, the venue became a sea of light as fans waved glow sticks in unison — a living constellation that flickered and shifted in tandem with augmented reality visuals overhead.

Around them, an 11,000-square-meter ring of LED screens interacted with a 2,400-square-meter transparent floating display, while humanoid robots moved alongside the singer in tightly synchronized choreography. For those inside, the effect was less like attending a concert than stepping into a fully immersive fantasy — a world built from steel, light and sound.

Zhang has described the opportunity to perform at the Bird's Nest — a stage synonymous with national spectacle — as an honor. He and his team, he said, pushed into uncharted territory, experimenting with designs they had never attempted before, including a massive, suspended screen at the center of the arena that allows audiences to see every detail with unusual clarity. "It will make them feel almost like they're watching a virtual reality film," Zhang said.

Each performance ran close to three hours, but Zhang approached them with near-military discipline. He likens himself to a "special forces soldier", conditioned for endurance after years of demanding shows — including one that stretched to five hours.

Yet for all its technical bravura, the tour is rooted in something more personal. Marking 22 years since he shot to fame by winning the national championship of the music talent reality TV show My Style and My Show, Zhang has framed the concerts as an act of gratitude, a way of thanking fans for their long companionship. If the spectacle dazzles, he hopes the songs endure — offering, as he puts it, "something uplifting", a source of strength for those still searching for what they love.