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New book brings historic Gusu prints back into view

By Li Yingxue | chinadaily.com.cn | Updated: 2026-06-08 14:42

A major new publication documenting one of the world's most significant collections of Chinese Gusu woodblock prints has been released recently, bringing rare Qing Dynasty (1644-1911) artworks back into public view through a comprehensive bilingual volume. [Photo provided to chinadaily.com.cn]

A major new publication documenting one of the world's most significant collections of Chinese Gusu woodblock prints has been released recently, bringing rare Qing Dynasty (1644-1911) artworks back into public view through a comprehensive bilingual volume.

Titled Chinese Gusu Prints in the Christer von der Burg Collection, the book catalogs 221 Gusu prints collected by Swedish Sinologist and collector Christer von der Burg. Supported by China's National Publication Foundation, the Chinese-English edition is based on Von der Burg's research and is among the largest collections of Gusu prints ever published.

The works date primarily from the reigns of the Kangxi, Yongzheng, Qianlong and Jiaqing emperors. Their subjects range from flowers, children and landscapes to literature, theater, folklore, court life and the imperial examination system. The publication also groups related works into thematic series, offering readers a deeper understanding of recurring artistic and cultural motifs.

For each print, the book provides detailed information on dating, dimensions, printing techniques and inscriptions, while examining the historical references, symbolism and cultural meanings embedded in the images. Comparisons with similar works held in museums and collections around the world further enhance its value as a research resource.

Produced in Suzhou during the 17th and 18th centuries, Gusu prints are regarded as a pinnacle of Chinese woodblock New Year printmaking. Combining traditional Chinese printing techniques with Western artistic concepts such as perspective and spatial depth, they reflect a vibrant period of cultural exchange between China and the wider world.

Although once popular among affluent households in the Jiangnan region, few original Gusu prints survive in China today. Many were discarded after use, while others were lost during periods of war and social upheaval.

Scholars believe the publication fills an important gap in the study and preservation of Gusu prints. By making these rare works accessible to researchers and the public, the book offers new insights into a unique artistic tradition and its global cultural legacy.

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