Universal Music bets big on China
By Chen Nan | chinadaily.com.cn | Updated: 2026-06-12 17:03
In a landmark moment for China's music industry, Universal Music Group hosted the Universal Music China Summit 2026 in Beijing on June 3, bringing together global executives, artists, and industry leaders for what the company described as its first large-scale industry summit in China.
The event unfolded as both a business forum and a cultural showcase, gathering more than 400 guests from across the global music ecosystem. Over the course of a single day, the summit combined major strategic announcements with live performances by 16 acts from China and abroad.
The summit opened on a distinctly Chinese classical note, with guzheng performer Yang Yang, a signed artist with Deutsche Grammophon China.
Def Jam China announced a strategic copyright partnership with Chinese rapper Wang Yitai, further cementing the label's role in China's growing hip-hop ecosystem. Meanwhile, a new cohort of young artists officially joined Universal Music Greater China's roster, signaling an expansion of the company's investment in Gen Z talent.
The "Go East" segment showcased the company's ambition to build a structured pipeline for international artists entering the Chinese market. Global labels within the group presented performances from six international rising stars, underscoring China's growing importance as a touring destination.
Canadian singer-songwriter Lauren Spencer Smith, who recently appeared on the Chinese reality TV show Singer 2026, was highlighted as an example of how international artists are already gaining traction with Chinese audiences.
Executives emphasized that the initiative is designed to create a "one-stop platform" for global acts entering China — covering promotion, touring, and digital distribution in collaboration with local partners.
China's live music expansion was also addressed by industry representatives, who noted that more than 350 international acts toured the country in 2025 alone, with further growth expected as demand continues to rise.
If the first two sections looked forward, "Roots & Wings" turned inward — toward preservation, legacy, and cultural memory.
The company announced a commemorative project marking the 70th anniversary of legendary artist Leslie Cheung. The initiative aims to reintroduce Cheung's catalog to new generations through a carefully curated anthology release.
At the summit, the launch of a special series for Global Beatles Day was also announced, which will start this year. The initiative has been officially recognized by Apple Corps Ltd, the company founded by The Beatles in 1968 in London and responsible for managing their creative and commercial affairs. On June 25, celebrations will take place around the world, including in China.
In addition, Deutsche Grammophon China (DG China) announced that this November it will partner with Xinghai Concert Hall in Guangzhou, Guangdong province, to present "DG Music Week". This marks the first time globally that an internationally renowned cultural landmark in the Guangdong-Hong Kong-Macao Greater Bay Area has collaborated with Deutsche Grammophon. The program will feature performances by DG's international artists alongside emerging talents from DG China, offering a cross-cultural, intergenerational journey of heritage and innovation through music.
"We are building an ecosystem that connects the future, the present, and the legacy of Chinese music," said Timothy Xu, chairman and CEO of Universal Music Greater China. "This is about long-term collaboration across the entire industry."
Adam Granite, the executive vice-president of market development at Universal Music Group, echoed the sentiment, calling the summit a milestone in the company's localization strategy and highlighting the importance of catalog stewardship alongside artist development.
Panel discussions with representatives from Tencent Music Entertainment Group, NetEase Cloud Music, and Migu Music focused on AI-driven music discovery, copyright compliance, and the internationalization of Chinese-language music.
The summit concluded with a symbolic program dedicated to the centenary of Chinese popular music. As the evening drew to a close, the atmosphere shifted from industry presentation to collective reflection.





















