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Celebrating an operatic life

Legendary actor's methods for immersing himself in characters live on in his students, in the roles he made famous and through modern performers, Chen Nan reports.

By Chen Nan | China Daily | Updated: 2026-06-13 09:08

Peking Opera has a history spanning over 200 years and was recognized by UNESCO as an Intangible Cultural Heritage of Humanity in 2010. A unique fusion of singing, dancing, martial arts, and acrobatics, it captures the soul of Chinese theater, drawing audiences into a world of emotional intensity and physical precision.

Jing roles are powerful, larger-than-life characters in Peking Opera, distinguished by elaborate facial makeup, robust vocal delivery, and commanding stage presence.

Yuan Shihai was renowned for the jiazihualian, a subtype of jing roles, which emphasizes expressive acting, character portrayal, dynamic movement, and psychological depth.

Young actors of China National Peking Opera Company stage three of Yuan Shihai's best-known works: Li Kui Visits His Mother, Sword of the Cosmos and Reconciliation of the General and Minister (pictured). [Photo provided to China Daily]

After the founding of the People's Republic of China in 1949, Yuan Shihai, along with other masters, answered the call to reform private troupes. They reorganized traditional ensembles into collectively owned companies, culminating in the founding of China National Peking Opera Company in 1955. Over the next 50 years, his influence touched every corner of the company — from repertoire and talent cultivation to the spirit and style that define its performances.

Yuan Shihai's legacy shines in the creation of iconic works that remain pillars of the repertoire, including Wild Boar Forest, adapted from the classic Chinese novel The Water Margin; Reconciliation of the General and Minister, inspired by historical stories about rulers and statesmen during the Warring States Period (475-221 BC); and Li Kui Visits His Mother, highlighting filial devotion and righteous fury.

Yuan Shihai (1916-2002), a master of the jing, or painted-face role, performed in more than 300 productions of Peking Opera during his lifetime. Iconic works include The White-Haired Girl, Battle on the Plains (pictured) and Red Cliff. [Photo provided to China Daily]

His modern roles, including his role in The White-Haired Girl, broke new ground in portraying contemporary life, while characters in Legend of the Red Lantern and Battle on the Plains captivated audiences with their vivid personalities.

"Through these works, Yuan Shihai not only crafted unforgettable roles but also helped shape the very soul of modern Peking Opera," Wang notes.

Born in Beijing, Yuan Shihai trained as a Peking Opera performer from the age of 8. Over his lifetime, he performed in more than 300 productions, each one adding another layer to a body of work that remains alive in today's repertoire.

His influence is not only preserved in recordings and written records but also in the way contemporary performers approach rhythm, vocal power and character construction.

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